The Gang of Five
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Please see this post for more details.

aabicus (LettuceBacon&Tomato)

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I've never been one to write fanfiction, but I've recently been researching Hamlet, widely regarded to be William Shakespeare's best and most famous play, and have learned that it has been translated into every major language on the planet, even Klingon!

Well, I certainly don't want the Land Before Time to miss out on a craze like that. So, I've decided to re-write Hamlet LBT-style. I also will be touching up the dialogue a bit, so (hopefully) it still sounds Shakespeare-y, but understandable. If any part of it confuses you, please just quote the part and ask for clarification, and one of us will tell you what it means.

You don't need to have any knowledge of the original play to understand this one; I've written it to be fully self-sufficient. It could even be a good way to spice the story up for those of you who haven't yet had to read it, because you will, and reading this one might give you a real headstart over your classmates.

A final disclaimer: For those of you who don't know how Hamlet ends, not all of the characters survive the play. Sorry, but this adaptation is going to stay true to the original as closely as it can. that's all I'm going to say.

Act One, Scene One

Enter two watch-dinosaurs-[first,] Hyp, [who paces up and down at his post; then] Guido, [who approaches him].

Guido. Who's there?

Hyp. No, answerst me first! Stand and declare thyself!

Guido. It is Guido. Get thyself to bed, Hyp.

Hyp. For this relief much thanks. 'Tis bitter cold,

And I am sick at heart.

Guido. Well, good night.
If you do meet Cera and Mr. Clubtail,
The partners of my watch, bid them make haste.

Enter Cera and Mr. Clubtail.

Hyp. I think I hear them. Stand, ho! Who is there?

Cera. Friends to this ground.

Mr. Clubtail. And loyal soldiers to the king.

Hyp. Give you good night.

Mr. Clubtail. O, farewell, honest soldier.
Who hath relieved you?

Hyp. Guido hath my place.
Give you good night.
Exit.

Mr. Clubtail. Hallo, Guido!

Guido. Welcome, Cera. Welcome, good Mr. Clubtail.

Mr. Clubtail. Has this thing appeared again tonight?

Guido. I have seen nothing.

Mr. Clubtail. Cera does not belive the existence
of the apparition which hath twice startled us
Therefore I have asked her to come along
With us and stand guard tonight,
So that, if it doth appear again,
She may see it with her own eyes, and speak to it.  

Cera. Humph, it will not appear.

Guido. Sit down awhile,
And let us once again tell thy ears,
That are so decided against our story,
Of what for two nights we have seen.
Last night, like all nights,
Stood here Mr. Clubtail and myself,
The Great Circle not yet risen-

Enter Ghost.

Mr. Clubtail. Peace! Silence thee! Look where it comes again!

Guido. It is the same, the King that's dead.

Mr. Clubtail. Thou art an old friend of he; speak to it, Cera.

Guido. Looks it not like the King? Look upon it, Cera.

Cera. Most like him. It fills me with fear and wonder.

Mr. Clubtail. Question it, Cera.

Cera. What art thou that interrupt this time of night
Together with that fair and warlike form
In which the former majesty of this Great Valley
Did sometimes march? By heaven I charge thee, speak!

Mr. Clubtail. You have offended it.

Guido. See, it stalks away!

Cera. Stay! Speak, speak! I charge thee speak!

Exit Ghost.

Mr. Clubtail. 'Tis gone and will not answer.

Guido. What, Cera? You tremble and look pale.
Is not this something more than fantasy?
What think you on it?

Cera. Before my God, I might not believe this
Without mine own eyes.

Mr. Clubtail. Is it not exactly like the King?

Cera. Ay.
Such was the very build he had
When he combated with the Mysterious Beyond.
So wore he once when, in an angry fight,
He slayed the dreaded Sharpteeth on the ground.
'Tis strange.

Mr. Clubtail. Thus twice before, and at this dead hour,
hath he gone by our watch.

Cera. For what reason I know not;
But, if my opinion hath some truth,
This means trouble for our valley.

Mr. Clubtail. Good now, sit down, and please tell me
Why this same strict and most observant spectre
So nightly walks the borders of our land,
And why daily the instruments of war stand alert
And why the days of work and preparation;
Have eclipsed what once was time for leisure.  
What hath happened to cause all of this?

Cera. I can tell thee.
Here the story goes. Our last king, Grandpa Longneck,
Whose image just now appeared to us,
Did, as you know, defeat Lord Sharptooth of the Mysterious Beyond,
During which, in the heat of battle, our valiant Littlefoot
Did slay this Sharptooth; who, by the rights of conquest,  
Did forfeit, with his life, all his lands
Which he once ruled, to the conqueror;
Meaning his lands then belong to Grandpa Longneck.
Now, sir, young Chomper of the Mysterious Beyond,
Who before the battle was next in line for power,
Hath gathered up an army of lawless mercenaries,
And food and supply, to attack our Valley
And reclaim what was lost.
This, I take it,
Is the main motive of our preparations,
The source of this our watch, and the chief reason
For this feardom and unrest in the land.

Guido. Maketh sense it does
that the ghost of so great a king
Comes armed through our watch, so like the old King
To remain among the earth while exist the focus of these wars.

Enter Ghost again.

Cera. But soft! behold! Lo, where it comes again!
I'll cross it, though it blast me.- Stay, illusion!
[Spreads his arms.]
If thou hast any sound, or use of voice,
Speak to me.
If there be anything to be done,
That may ease your spirit, and calm thy grave
Speak to me.
If thou knowest of thy country's fate,
Something dark or troublesome ahead,
And thy knowledge may save us from future harm
Speak!
 
The Sun peeks over the horizon.

Cera.Speak of it! Stay, and speak!- Stop it, Mr. Clubtail!

Mr. Clubtail. Shall I strike at it with my bopper?

Cera. Do, if it will not stay.

Guido. 'Tis going!

Cera. 'Tis going!

Mr. Clubtail. 'Tis gone!

Exit Ghost.

GuidoWe do it wrong, being void of substance,
To offer it the threat of violence;
For it is made of air, invulnerable.

Mr. Clubtail. It was about to speak, when the Great Circle appeared.

Cera. And then it jumped, like a guilty thing.
I have heard that ghosts, being of the night,
Must retreat with the arrival of day
And hold their tongue for a dozen more hours
Before it may speak again with the dark.
 
Mr. Clubtail. It faded on the rising of the Great Circle.
But thou didst see it!

Cera. So have I seen and do now believe it.
But look, as our watch does come to an end
with the show of morning, I advise thee,
Let us inform what we have seen to-night
Unto young Littlefoot; for, upon my life,
This spirit, silent to us, will speak to him.
Do you agree we shall acquaint him with it?
Let's do't, I pray; and this morning I know
Where we shall find him most opportunely.
 
Exeunt.


Mumbling

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This is interesting.. I remember playing a part of hamlet at school.

Look forward to rest of the story.


lbt/cty_lover

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I fully approve of this fan-piece. It is a great idea, and it gave me a laugh while reading it. I can't wait for the next part.


Malte279

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:lol  :lol  :lol

Thou cannot estimate the delight this piece of poetic writing doth convey to the student who will be examined on the comedies and histories of William Shakespeare in a month's time :lol:

Good work good Sirah!


f-22 "raptor" ace

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aabicus (LettuceBacon&Tomato)

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Act One Scene Two

Flourish. [Enter Mr. Threehorn, King of The Great Valley, Grandma Longneck the Queen, Littlefoot, Old One, Rhette and his sister Ali, [Ozzy, Strut,] Lords Attendant.

Mr. Threehorn. Though the death of Grandpa Longneck
still be in recent memory, and that we are sworn
To bear our hearts in grief, and our whole kingdom
To be contracted in one brow of woe,
A ray of light doth break this time of dark.
For our sometime sister, now our queen,
Th' imperial countess to this warlike state,
Have chose, even with her mind’s eye
still tilted toward her once beloved’s grave,
To relift her hand in anew marriage  
With myself, to rule this land again as a pair.
Now follows, that you know, young Chomper,
Thinking our valley to be in a state of instability,
Or thinking that our late dear brother's death
doth distract us from our waried duties,
Combined with this dream of his advantage,
He hath not failed to deliver upon us a message
Demanding the surrender of those lands
Lost by his father, with all rights of law,
back unto himself. So much for him.
Of course he shall not get it.
Thus much the business is: we hath here written
To the father of young Chomper,
Who, impotent and bedridden, scarcely hears
Of this his son's purpose, and might agree to suppress
His son Chomper’s further attempts at invasion.
The lists, documents and full proportions have all been made
but must be delivered and signed; and we here dispatch
You, good Strut, and you, Ozzy,
For bearers of this greeting to the Mysterious Beyond.
Giving to you no further personal power
To do business with the King, more than the scope
Of these issues allow.
Farewell, and let your haste commend your duty.

Strut. [with Ozzy] In that, and all things, will we show our duty.

Mr. Threehorn. We do not doubt. Heartily farewell.
[Exeunt Ozzy and Strut.]
And now, Rhette, what's the news with you?
You told us of some desire. What is't, Rhette?

Rhette. My dear lord,
Your leave and favour to return to the Land of Mists;
For though willingly I came to the Great Valley
To show my duty in your coronation and wedding,
Yet now I must confess, that duty done,
My thoughts and wishes bend again toward the Mists
And bow for your gracious leave and pardon.

Mr. Threehorn. Have you your guardian's permission? What says the Old One?

Old One. He hath, my lord, wrung from me my agreement
and at last upon his will I seal'd my consent.
I do beseech you give him leave to go.

Mr. Threehorn. Take thy fair hour, Rhette. Time be thine,
And by thy best graces spend it as thy will!
But now, my cousin Littlefoot, and my son-

Littlefoot. [aside] A little more than neighbor, and less than son!

Mr. Threehorn. How be it that the clouds still hang on you?

Littlefoot. Not so, my lord. The clouds hath parted, and I see you clearly.

Grandma. Good Littlefoot, cast thy nighted demeanor off,
And let thine eye look like a friend on Mr. Threehorn.
Do not for ever with thy sorrowed eyes
Seek for thy noble grandfather in the dust.
Thou know'st 'tis common. All that lives must die,
Passing through nature to eternity.

Littlefoot. Ay, madam, it is common.

Grandma. If it be,
Why doth thou not accept it?

Littlefoot. I do not, it seems. Nay, it is. I know not 'seems.'
'Tis not alone my darkened demeanor, good mother,
Nor customary outfit of solemn black,
Nor stinted disrust of thy three-pronged husband,  
'That can denote me truly. These indeed seem to,
For they are actions that a grieving man might play;
But enough time hath passeth that show-
I am one and the same with the feelings of woe.

Mr. Threehorn. 'Tis sweet and commendable in your nature, Littlefoot,
To give these mourning duties to your grandfather;
But you must know, your father lost a father;
And his father lost his, and the survivor of each generation is bound
For some time following the loss
To do customary sorrow. But to persevere
In this sorrow for overly long is a course
Of self-detrimental stubbornness. 'Tis unmanly grief;
It shows thy will beeth weak,
And unable to stand on its own.
We pray you throw to earth
This unflattering woe, and think of me
As thy father; for let the world take note
You are the next in line for the throne,
And when I breathe my last, as all someday must,
I shall bestow upon you the throne.
Like any good father doth for his dearest son.
I plead with thee, let yourself be happy.

Littlefoot. I shall to the best of mine ability obey you, my King.

Mr. Threehorn. Why, 'tis a loving and a fair reply.
My Queen, my countrymen, come away.

Flourish. Exeunt all but Littlefoot.

Littlefoot. O that this too too solid flesh would melt,
Thaw, and evaporate itself into a dew!
Or that the Everlasting God had not declared
His displeasure with self-slaughter! O God! God!
How weary, stale, flat, and unprofitable
Seem to me all the venues of this world!
'Tis an unweeded garden that grows to seed; things rank and gross in nature possess it daily. That it should come to this!
But only two months dead! Nay, not so much, ëtis less than two.
So excellent a king, that he was to this
A ruler championed by all; so loving to my grandmother
That he would take care that the winds of heaven
Wouldst not blow upon her face too roughly.
Must I remember? Why, she would hang on him
As loving as ever a woman did to a man!
But yet, within a month-
Let me not think on't! Frailty, thy name is woman!-
A little month, and already thy fawn for my father’s neighbor!
Within a month, before even the salt of righteous tears
Could have dried in thy teary eyes  
She married. O, most wicked speed, to leap
With such dexterity to incestuous nights!
I am sure it cannot come to good.
But break my heart, for I must hold my tongue!

Enter Cera, Mr. Clubtail, and Guido.

Cera. Hail to your lordship!

Littlefoot. Cera!- Good it is to see you!

Cera. The same, my lord, and your poor servant ever.

Littlefoot. Sir, my good friend- Thou shalt never be poor in mine eyes.
And what make you come here, Cera?
Mr. Clubtail?

Mr. Clubtail. My good lord!

Littlefoot. I am very glad to see you.- [To Guido] Good even, sir.-
But what, in faith, make you come?

Cera. My lord, I came to see your grandfather's funeral.

Littlefoot. Do not mock me, my friend.
I think it was to see my grandmother's wedding.

Cera. Indeed, my lord, it followed soon after.

Littlefoot. O, Cera! The funeral’s baked meats
Did turn cold and stale under the marriage tables.
Would I rather have met my dearest foe in heaven
Before ever I had seen that day, Cera!
My grandfather- methinks I see my grandfather.

Cera. O, where, my lord?

Littlefoot. In my mind's eye, Cera.

Guido. I saw him once. He was a goodly king.

Littlefoot. He was a man, take him for all in all.
I shall not look upon his like again.

Cera. My lord, I think I saw him yesternight.

Littlefoot. Saw? who?

Cera. My lord, the King your grandfather.

Littlefoot. The King my grandfather?

Cera. Hold in check your admiration for a while
With an attentive ear, till I mayest deliver
As these gentlemen as my witnesses,
This miracle story to you.

Littlefoot. For God's sake let me hear!

Cera. Two nights together had these gentlemen
(Mr. Clubtail and Guido) on their watch
In the dead vast and middle of the night
Been thus encountered. A figure like your grandfather,
Identical to his once-living self
Appeareth before them and in a solemn march
Goes slow and steay by them. Thrice he walk'd
By their fear-surprised eyes,
Within a yards length; whilst they shook
Almost to jelly with fear,
And stand mute and speak not to him.
This I secret they didst tell me
And I kept the watch with them the third night;
Where, as they had claimed, both on time,
And in the form of the thing, their every word was made true,
The apparition comes. I knew your grandfather.
This ghost could not have been more like.

Littlefoot. But where was this?

Mr. Clubtail. My lord, upon the platform where we always watch.

Littlefoot. Did you not speak to it?

Cera. My lord, I did;
But answer me it di’nt. Yet once methought
It lifted up it head and did open
it’s mouth as if it would speak;
But even then the Great Circle showed it’s halo,
And at the sight it shrunk in haste away
And vanish'd from our sight.

Littlefoot. 'Tis very strange.

Cera. As I do live, my lord, 'tis true;
And we did think it beeth our duty
To let you know of it.

Littlefoot. Indeed, indeed, sirs. But this troubles me.
Have you the watch to-night?

Mr. Clubtail. [with Guido] We do, my lord.

Littlefoot. Then I will watch to-night.
Wth luck 'twill walk again.

Cera. On my life it will.

Littlefoot. If it does assume my noble grandfather's appearance,
I'll speak to it, though hell itself should
Bid me hold my peace. I pray you all,
If you have insofar told none of this sight,
I bid thee hold it in your silence still;
And whatsoever else shall hap to-night,
Give it leave, but no tongue.
I will be quick upon you. So, fare you well.
Upon the platform, before the rising of the Bright Circle,
I'll visit you.

All. We shall do so, as honor demands.

Littlefoot. Farewell.
[Exeunt [all but Littlefoot].]
My grandfather's spirit? All is not well.
I suspect some foul play. Would the night were come!
Till then sit still, my soul. Foul deeds will rise,
Though all the earth o'erwhelm them.

Exit.


Vaan360

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Really good!
I really don¥t know much about the play, but I know it was probably hard to translate this from "the old times" to, "to the old times" but with LBT caracthers.
I really dind¥t know you had vocation for this tipe of things.
I think its better for me to give a kick look in the original play, to understand better the story.
I¥m looking foward for the next act.


aabicus (LettuceBacon&Tomato)

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I wouldn't recommend reading the orignal play to understand this one; it's written with abolutely no knowledge of present day phonetics (the one thing The Bard never dealt with  :nyah ). I've tried to fix the grammer so it's easily readable by modern-day standards, even for high-schoolers. If you have problems understanding a line or a segment, quote it, and somebody (probably myself) can clarify.

If it's the whole thing that boggles you, I'll bring you up to speed: Cera has told Littlefoot about his grandfather's ghost haunting the Valley, and Threehorn has taken over the Valley with Grandpa's death.

This next scene's pretty short; I cut out a bunch due to extreme repetitiveness (plus I never really liked it that much in the first place, the ghost plot is way more interesting)

Act 1, Scene 3

Enter Rhette and Ali.

Rhette. My bags are packed. Farewell.
And, sister, Do not forget to write me.

Ali. Do you doubt that I will?

Rhette. You have been distracted of late.  
Many an hour you hath spent at the nest of Prince Littlefoot.
I warn you, consider his advances a trifling play-love
Passionate, not permanent- sweet, not lasting;
The perfume and excitement of a minute;
No more.

Ali. No more than that?

Rhette. No more.
Perhaps he loves you now,
And now no expense or politick doth drain
His virtue or his will; but you must fear,
His royal position influence him, his will is not his own;
For he himself is subject to his birth.
He may not, as common persons like we do,
Choose for himself, for on his choice depends
The safety and health of this whole state,
And therefore must his choice be restricted
Unto the persons of that imperial body
Whereof he is the head. Then if he says he loves you,
It fits your wisdom so far to believe it
When his words carry no weight
When juxtaposed agains’t the main
Voice of The Great Valley.
Then weigh what loss your honour may sustain
If with too naÔve an ear you listen to his wooes,
Or lose your heart, or your chaste treasure open
To his unmast'red pursuing.  

Ali. I shall take to heart what thou say
As though writ upon my heart. But, my good brother,
Do not as some pastors do,
Preach to me the good and righteous way to Heaven,
While like a blithe and carefree playboy,
Yourself the path of permiscuity treads
And hears not his own words.

Rhette. O, fear me not!
[Enter Old One. ]
I stay too long. But here our guardian comes.
A double blessing is a double grace;
Hopefully she shall bestow upon me twice.

Old One. Still here, Rhette? Go forth, away, for shame!
There- my blessing with thee!  

Rhette. Most humbly do I take my leave, my lord.

Old One. The time slips away. Go, your servants tend.

Rhette. Farewell, Ali, and remember well
What I have said to you.

Ali. 'Tis in my memory lock'd,
And you yourself shall keep the key of it.

Rhette. Farewell. Exit.

Old One. What is't, Ali, he hath said to you?

Ali. So please you, something regarding the Lord Littlefoot.

Old One. Marry, he is well bethought!
I have heard he hath very oft of late
Given private time to you, and you yourself
Hath welcomed his company most freely.
If it truly be as I have heard, I now warn you
In way of caution- I must tell you
You do not understand yourself so clearly
As I warn thee thou shoudst.
What is between you and Littlefoot? Give me the truth.

Ali. He hath, my lord, of late attested much
Of his affection to me.

Old One. Affection? Pooh! You speak like a fool, girl,
Unknowledgable in such empty flattery.
Dost thou truly believe his ëaffection,’ as you call it?

Ali. I do not know, my lord, what I should think.

Old One. Marry, I will teach you! Think yourself a baby
That you have taken his words at face value,
When they are clearly persuasion. Take care of thyself more dearly,
Or you'll look me a fool.

Ali. I shall obey, my lord.

Exeunt.


aabicus (LettuceBacon&Tomato)

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Act 1, Scene 4

Enter Littlefoot, Cera, and Mr. Clubtail.

Littlefoot. The air bites any bare skin; it is very cold.

Cera. It is a nipping and charged air.

Littlefoot. What hour now?

Cera. I think it almost sunup. It then draws near the season
Wherein the spirit held his wont to walk.
[A flourish of trumpets, and two pieces go off.]
What does this mean, my lord?

Littlefoot. The King doth wake to-night and takes his walk.

Mr. Clubtail. My lord!

Enter Ghost.

Cera. Look, my lord, it comes!

Littlefoot. Angels and ministers of grace defend us!
Be thou a spirit of health or spawn of the devil,
Bring with thee airs from heaven or blasts from hell,
Be thy intents wicked or charitable,
Thou hath come in such a familiar shape
That I will speak to thee. I am called Littlefoot,
King, grandfather, royal Dane. O, answer me?
Let me not be any longer ignorant, but tell
Why thy rested bones, settled in death,
Hath burst from their tomb; why the stone crypt
Wherein we saw thee quietly inturned,
Hath op'd its looming marble jaws
To cast thee up again. What may this mean
That thou, dead corse, again in complete armor,
Revisits thus the atmosphere of the surface,
Making night hideous, and we who are unschooled in death
To be horridly shaken in our disposition
With dread thoughts beyond the reaches of our souls?
Say, why is this? wherefore? What should we do?

Ghost beckons Littlefoot.

Cera. It beckons you to go away with it,
As if it desire that you alone hear
what it shalt say.

Mr. Clubtail. Look with what stiffened action
It waves you to a more solituded ground.
But do not go with it!

Cera. No, by no means!

Littlefoot. If it will not speak, then will I follow it.

Cera. Do not, my lord!

Littlefoot. Why, what should be the fear?
I do not set my life in any danger;
And for my soul, what can it do to that,
Being a thing that lacketh any substance?
It waves me forth again. I'll follow it.

Cera. What if it tempt you toward it’s open and waiting grave,
My lord, or to the dreadful summit of the sea cliff
Over which frothy and bottomless waters churn,
And there assume some other, horrible form
Which might deprive your sovereignty of reason
And draw you into madness? Think of it.
Such a cheer-void place puts thoughts of desperation,
Without more motive, into every brain
That looks so many fathoms into the sea
And hears it roar beneath.

Littlefoot. It waves me still.
Go on. I'll follow thee.

Mr. Clubtail. You shall not go, my lord.

Littlefoot. Hold off your hands!

Cera. Damn my whole world, but you shall not go.

Littlefoot. My fate cries out
And makes each petty artery in this body
As hard as the Swimming Sharptooth's nerve.
[Ghost beckons.]
Still am I called. Dont' leave, grandfather! Unhand me, gentlemen.
By heaven, I'll make a ghost of him that stops me!-
I say, away!- Go on. I'll follow thee.
 
Exeunt Ghost and Littlefoot.

Cera. He is already half-mad in his hot temperament.

Mr. Clubtail. Let's follow. 'Tis not fit thus to obey him.

Cera. Have after. To what end will this come?

Mr. Clubtail. Something is rotten in the state of this Valley.

Cera. Heaven will direct it. It is not ours to decide.

Mr. Clubtail. Nay, I say, let's follow him.

Exeunt.


aabicus (LettuceBacon&Tomato)

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Act 1, Scene 5

Enter Ghost and Littlefoot.

Littlefoot. Whither art thou leading me? Speak! I'll go no further.

Grandfather’s Ghost. Hear me.

Littlefoot. I will.

Grandfather’s Ghost. My hour is almost come,
When I to sulphurous and tormenting flames
Must return myself.

Littlefoot. Alas, poor ghost!

Grandfather’s Ghost. Pity me not, but lend thy attentive hearing
To what I shall reveal.

Littlefoot. Speak. I am bound to hear.

Grandfather’s Ghost. So art thou bound to revenge, when thou shalt hear this.

Littlefoot. What?

Grandfather’s Ghost. I am thy grandfather's spirit,
Doom'd for a certain term to walk the night,
And for the day confin'd to burn in fires,
Till the foul crimes done in my days of ruling
Are burnt and purg'd away. But were I not forbid
To tell the secrets of my afterlife prison,
I could tell thee a tale whose lightest word
Would harrow up thy soul, freeze thy young blood,
Make thy two eyes, like stars, bulge from their spheres,
And each particular hair to stand on end.
But this eternal inferno must not be
To ears of those who still live. Listen, listen, O, listen!
If thou didst ever thy dear father love-

Littlefoot. O God!

Grandfather’s Ghost. Revenge his foul and most unnatural murder.

Littlefoot. Murder?

Grandfather’s Ghost. Murder most foul.

Littlefoot. Haste me to know what, so that I, with wings as swift
As the most quick-flitted flyer,
May sweep to my revenge.

Grandfather’s Ghost. I find thee suitable;
Now, Littlefoot, hear.
As it turned out that, whilst sleeping in my orchard,
A serpent stung me. But know, thou noble youth,
The serpent that did sting thy grandfather's life
Now wears his crown.

Littlefoot. O my fearing soul!
Mr. Threehorn?

Grandfather’s Ghost. Ay, that incestuous, that adulterous beast,
Won the will of my most seeming-virtuous queen.
O Littlefoot, how couldst she settle for his like
After me, whose love was of that caliber
That it went hand in hand even with the vow
I made to her in marriage, and for her to decline
Upon a wretch whose natural gifts were poor
To those of mine!
But soft! methinks I scent the morning air.
Brief let me be. Here is how I died:

Littlefoot. Do tell, o grandfather.

Grandfather’s Ghost. Sleeping beneath the tree sweets,
As is my custom always in the afternoon,
Whilst I slumbered, Mr. Threehorn sneaked
With juice of fermented sweetbubble sap,
And in the cavern of my ear he didst pour
The lethal distilment; whose effect
Was swift as quicksilver as it coursed through my body.
His vile face was the last thing I should see
Before mine eyes did close for evermore.
Thus was I, forever sleeping, by a neighbor’s hand
My life, my crown, my queen, all at once lost;
Cut off even in the blossoms of my sin,  
No reckoning, no preparations made, but sent to my judgement
With all my imperfections on my head.

Littlefoot. O, horrible! O, horrible! most horrible!

Grandfather’s Ghost. If thou hast passive nature in thee, lose it.
Let not the royal bed of the Great Valley be
A cesspool for luxury and damned incest.
But, howsoever thou pursuest to accomplish this act,
Let thyself punish only the traitorous Threehorn;
Against thy mother, nay. Leave her to heaven,
And her own burning conscience.
This you must obey. Fare thee well at once.
The signs show my departure to be near and unstoppable.
Adieu, adieu, adieu! Remember me.

Exit.

Littlefoot. Remember thee?
As if I could ever forget!  
Ay, thou poor ghost, I wilt remember thee
While memory holds a seat in this distracted globe.
Remember thee?
Yea, from the table of my memory
I'll wipe away all trivial knowledge,
All traces of useless books, all forms, all memories past  
And thy commandment alone I shalt serve.  
O most pernicious grandmother!
O villain, villain, smiling, damned villain!  
So, Threehorn, it was thee. Now to my word:
In this world we cannot both survive,
I have sworn't.

Cera. [within] My lord, my lord!

Enter Cera and Mr. Clubtail.

Mr. Clubtail. Lord Littlefoot!

Cera. Heaven secure his santiy!

Littlefoot. I have sworn’t!

Mr. Clubtail. My lord!

Littlefoot. Hello, boy! Come, Clubtail, come.

Mr. Clubtail. How is't, my noble lord?

Cera. What news, my lord?

Littlefoot. No, you will reveal it.

Cera. Not I, my lord, by heaven!

Mr. Clubtail. Nor I, my lord.

Littlefoot. You assure so readily? Can I safely trust thee?
You promise you shall be secret?

Mr. Clubtail. [with Cera] Ay, by heaven, my lord.

Littlefoot. There's a villain dwelling in the Great Valley
And he’s shown little but malice to our valley.

Cera. There needs be no ghost, my lord, come from the grave
To tell us this.

Littlefoot. Why, right! You are in the right! You already knew!
Obviously there be no need to speak further of this.
And so, without more needless blabbering,
I think it best that we shake hands and part;
You may go and do whatever thy want to,
And I shalt do the same.
Give me one poor request.

Cera. What is't, my lord? We wilt honor it.

Littlefoot. Never make known what you have seen to-night.

Mr. Clubtail. [with Cera] My lord, we will not.

Littlefoot. Nay, but swear it.

Cera. I solemly swear,
My lord, I wil never reveal what I know.

Mr. Clubtail. Nor I, my lord- swear.

Littlefoot. Again.

Mr. Clubtail. We have sworn, my lord, already.

Littlefoot. Again.

Ghost cries under the stage.

Grandfather’s Ghost. Swear.

Littlefoot. Aha, say'st thou swear’t? Art thou being untruthful?
Come on! You hear this fellow in the earth.
Consent to swear.

Cera. Alright. Propose the oath, my lord.

Littlefoot. Never to speak of this that you have seen.
Swear by your honor.

Cera. [with Mr. Clubtail] Swear.

Littlefoot. Agreed? Then we'll leave this ground.
Come hither, gentlemen;
Let us go in together.

Exeunt.


aabicus (LettuceBacon&Tomato)

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First Act done! I'm a fifth of a way there!

Act 2, Scene 1

Enter Old One and Pterano.

Old One. Give Rhette this money and these notes, Pterano.

Pterano. I will, my lord.

Old One. You shall do well, good Pterano, my servant.
One thing. Before you visit him, learn for me
About his behaviour.

Pterano. Of course, my lord.

Old One. Marry, well said, very well said. Look here, sir,
To accomplish this, find out who in the Land of Mists knows him
And how, and by who, what means, and where they live.
By this, learn if Rhette is fraternizing with folk of honorable caliber or not.
By these conversations and trail of questioning you can
Learn more than if thee be upfront about thy inquiring.
If need be, pretend to know some old knowledge of Rhette
Say thus, ëI know his father and his friends;
And also him.’ Do you understand me, Pterano?  

Pterano. Ay, very well, my lord.

Old One. ëBut what I know of him,' you may say, 'is not well.
By this I mean, I’ve heard that he's very wild, crude,
Addicted, so and so'; and there claim about him
What invented tales you please; marry, none so rank
That they may dishonour him- take heed of that;
But, sir, use just what carousing, wild, and usual slips
As are common with youth and liberty.  

Pterano. Understood, my lord.

Old One. Ay, or drinking, swearing, quarrelling,
Associating with immoral women. You may go so far.

Pterano. My lord, that would dishonour him.

Old One. Faith, no, you must not speak so directly.
You must not put another scandal on him,
That he is open to habitual indignification.
That's not what I mean. But breathe his faults so quaintly
That they may seem the effects of simple liberty,
The flash and outbreak of a fiery mind.

Pterano. But, my good lord-

Old One. Will you do this?

Pterano. Ay, my lord,
I will.

Old One. Marry, sir, here's my drift,
And I believe it is a clever trick.
You laying these slight sullies on my son
As if you were unsure of their truthfullness,
Mark you,
Your party in converse, whomever thou art speaking to,
Having heard your description of the pre-mentioned crimes
See if they seem to agree with you in that conclusion.
If they do, thou mayest be sure that thy words ring true.

Pterano. Very good, my lord.

Old One. And then, sir, return here, and tell me what they say about Laertes.

Pterano. Of course, my lord.

Old One. God b' wi' ye, fare ye well!

Pterano. Good my lord!
 
[Exit Pterano.]
[Enter Ali.]


Old One. How now, Ali? What's the matter?

Ali. O my lord, my lord, I have been so frightnened!

Old One. With what, in th' name of God?

Ali. My lord, as I was sleeping in my nest,
Lord Littlefoot, with his face pale,
his balance unstable, his feet soiled,  
And with a look so piteous it seemed
As if he had been loosed out of hell
To speak of horrors- he comes before me.

Old One. Mad for thy love?

Ali. My lord, I do not know,
But truly I do fear it.

Old One. What said he?

Ali. He took me by the wrist and held me hard;
Then he runs his head along the whole length of my neck,
And, upon finishing that inspection,
He falls to such examination of my face
As if he was preparing to draw it. Long stay'd he like this.
At last, a little shaking of mine arm,
And with his head thus bobbing up and down,
He let loose a sigh so piteous and lengthened
It seemed to shatter all his soul
And end his being. That done, he lets me go,
And with his head over his shoulder turn'd
He seem'd to find his way to the exit without his eyes,
For out of sight he went without taking his eyes off me.

Old One. Here, come with me. I will go seek the King.
This is the very epitome of love,
Whose violent nature destroys itself
And leads the desperate will to impulsive undertakings.
I am sorry. Have you given him any hard or unsupportive words of late?

Ali. No, my good lord; but, as you did command,
I did repel his advances and denied
His access to me.

Old One. That hath made him mad.
I am sorry that with better understanding
I had not wrongly guessed him. I fear'd he did but dally,
And meant to toy with thee; but curse my suspicions!
By heaven, it is the curse of old age
To occasionally miscalculate in our opinions
As it is common for the younger sort
To lack careful prudence. Come, go we to the King.
This must be known; since, if I keep silent, it may
cause more grief to others than if I had told.
Come.

Exeunt.


aabicus (LettuceBacon&Tomato)

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This next scene, Act 2 Scene 2, is easily the longest in the entire play. For that reason, I'm dividing it into segments, meaning I won't translate the whole sucker in one go. I'll continually paste new additions into this post, to keep the tradition of one scene per post alive.

Act 2, Scene 2

Flourish. [Enter King and Queen, Ducky and Petrie]

Mr. Threehorn. Welcome, dear Ducky and Petrie.
As much as we truly just wanted to see you,
There is reason for our summonings.
Thou must have heard something
Of Littlefoot's transformation. As I see it,
Neither the outside nor the inside of the man
Resembles what it was. Whatever it is, even
More than his grandfather's death, that hath put him
So much from th' personality of his old self,
I cannot dream of. I entreat you both
That, having been his friend for most of his life,
And therefore in his utmost confidence,
That you visit him soon, spark him in conversation
Some little time; so by your company
Thou might loosen his tongue, and gather
What information you can about that whih afflits him.  

Grandma. Good gentlemen, he hath much talk'd about you of late,
And I am sure there are not two other friends living
To whom he is more closely allied. If it will please you
To show us so much compliance and obedience
As to expend some time with him awhile.
Since you wilt bring the valley much hope,
Your visitation shall receive thee such thanks
As would suggest a king.

Ducky. Both of your Majesties
Art aware that either of thee could,
by the sovereign power you have over us,
Have phrased your requests into commands
And we could not say nay.

Petrie. But we both obey,
And here give up ourselves
To lay our services freely at your disposal,
To be commanded.

Mr. Threehorn. Thanks, Ducky and Petrie.

Grandma. Thanks, Petrie and gentle Ducky.
And I beseech you instantly to visit
My deranged grandson.

Ducky. [with Petrie] We will, madam.

Exeunt Ducky and Petrie.

[Enter Old One.]

Old One. Th' ambassadors from the Myterious Beyond, my good lord,
Are joyfully return'd.

Mr. Threehorn. Thou still hast been the bearer of good news.

Old One. Have I, my lord? Assure you, my good liege,
I hold my duty as I hold my soul,
Both to my God and to my gracious king;
And I do think- unless I am not as quick-witted
as I thought I was- that I have found
The very cause of Littlefoot's lunacy.

Mr. Threehorn. O, speak of that! That do I long to hear.

Old One. First allow the ambassadors in.
My news shall be the fruit to their great feast.

Mr. Threehorn. Of course. Please bring them in.
[Exit Old One.]
He tells me, my dear Grandma, he hath found
The cause of all your son's distemper.

Grandma. I doubt it is no other but his grief
over his father's death and our hasty marriage.

Mr. Threehorn. Well, we shall set him straight.
[Enter Old One, Ozzy, and Strut.]
Welcome, my good friends.
Say, Ozzy, what from our brother kingdom the Mysterious Beyond?

Ozzy. Thank you for the greetings and desires.
Upon my word, we set out to suppress
Prince Chomper’s preparations; which to us appear'd
To be a preparation 'gainst the Mysterious Beyond,
But upon further investigation, he soon found
It was against your Highness; this grieved us,
and spurred him to send out arrests
On Chomper; which he, in brief, obeys,
visits his father the figurehead leader
And makes vow before him never more
To give raise arms against your Majesty.
Whereon his old fahter, overcome with joy,
Gives him three thousand treestars in annual fee
And his commission to employ those soldiers,
Already assembled, against the Berry Valley;
With an plea to you, oh Threehorn,
[Gives a paper.]
That it might please you to give quiet passage
to his troops through the Great Valley
So that they may make their unrelated journey
As they please to do.

Mr. Threehorn. It seems a fair request;
And at our more secluded time we'll read,
Answer, and think upon this business.
Meantime we thank you for your hard work.
Go rest yourselves; at night we'll feast together.
Most welcome home!

[Exeunt Ambassadors.]

Old One. This business has ended well.
Therefore my lord, since briefness is a virtue,
And I wish to be virtuous,
I will be brief. Your noble son is mad.
Mad I call it; for, to define true madness,
What is it but to be nothing but mad?
But let that go. . .

Grandma. More substance, less poetry.

Old One. Madam, I swear I use no art at all.
That he is mad, 'tis true: 'tis true 'tis pity;
And pity 'tis 'tis true. A foolish figure!
But farewell it, for I will use no art.
Let us admit he is mad then. And now remains
That we find out the cause of this effect-
Or rather, the cause of this defect.  
I have a daughter
Who in her duty and obedience,
Hath given me this. Now gather, and surmise.
[Reads the letter.]
'To the heavenly, and my soul's idol, the most beautified Ali,'-
That's an ill phrase, a vile phrase; 'beautified' is a vile phrase.

Grandma. Littlefoot sent this to her?

Old One. Good madam, please stay silent. I will finish soon. [Reads.]
Thou may doubt the stars are fire;
Thou may doubt that the Great Circle doth move;
Thou may doubt truth to be a liar;
But never may thou doubt I love.
LITTLEFOOT.’

This, in obedience, hath my daughter Ali shown me;
And told me of more; his passionate remarks to her,
From whatever means and places he hath spoke them to her,
All have been told to me.

Mr. Threehorn. But how hath she
Receiv'd his love?

Old One. What do you think of me?

Mr. Threehorn. A faithful and honourable man.

Old One. I would hope so. But what might you think,
When I had seen this hot love of Littlefoot’s
(Which is what I thought it was, I must tell you that,
Before my daughter told me), what might you,
Or my dear Majesty your queen here, think,
If I had remained mute and silent,
and chosen to let the crush run its course?
What might you think? No, I went round to work
And to my young daughter I said thus:
'Lord Littlefoot is a prince, out of thy league.
This must not be.' And then I advised her,
That she should lock herself from his heart,
And avoid all contact with him.
And he, repulsed, and to my surprise,
Fell into a sadness, then into a fast,
Thence to a lightness, thence into a weakness,  
And finally into the madness wherein he now raves,
And all we mourn for.

Mr. Threehorn. Do you think this is it?

Grandma. it may be, very like.

Old One. Hath there been such a time
That I have said I am positive something is so
When it prov'd otherwise?

Mr. Threehorn. Not that I know.

Old One. [points to her head and shoulder] Take this from this,
If it becomes known that I am wrong.  

Mr. Threehorn. How may we test your theory further?

Old One. You know sometimes he walks for hours
Here in the lobby.

Grandma. So he does indeed.

Old One. At such a time I'll let loose my daughter at him.
You and I shall be behind a tree then.
See what happens. If he love her not,
And he does not play the role of a rebuked lover
Let me fall from my post as your advisor,
And live out my life as a grass crawler.

Mr. Threehorn. We will try it.

[Enter Littlefoot]
 
Grandma. But look how sadly the poor wretch comes!

Old One. Away, I do beseech you, both give me leave.
[Exeunt King and Queen, [with Attendants].]
How goes my good Lord Littlefoot?

Littlefoot. Well, God willing.

Old One. Do you know me, my lord?

Littlefoot. I know you quite well. You are a fish catcher.

Old One.. Not I, my lord.

Littlefoot. Then I wish you were so honest a man.

Old One. Honest, my lord?

Littlefoot. Ay, sir. To be honest, as this world goes, is to be one man
pick'd out of ten thousand.

Old One. That's very true, my lord.

Littlefoot. For even maggots, upon dead flesh, do not hide their true colors- Have you a daughter?

Old One. I have, my lord.

Littlefoot. Let her not walk in the Great Circle's light. Conception is a blessing, but not as your daughter may conceive. Friend, look to it.

Old One. [to herself] Still harping on my daughter. Yet
he knew me not at first. He said I was a fisher. He is far
gone, far gone! Yet when I was young I suff'red much pain
from love- very near this. I'll speak to him again.- What do you
think, my lord?

Littlefoot. Thoughts, thoughts, thoughts.

Old One. What is the matter, my lord?

Littlefoot. Between who?

Old One. I mean, the matter with that you think, my lord.

Littlefoot. Slanders, sir; for the satirical rogue  in my head says that old women
have grey beards; that their faces are wrinkled; their eyes
purging the sap from tree trunks; and that they have a
plentiful lack of wit. All which,
sir, though I most powerfully believe it, yet I hold it
is not honesty to consider it set in stone; for you yourself, ma'am,
should be old as I am if, like a Sand Crawler, you could go backward.

Old One. [to herself] Though this be madness, yet there is a method in't.-
How pregnant sometimes
his replies are! I had thought madness gives one a contentedness
the likes of which reason and sanity never could. I
will leave him and contrive the means of meeting between
him and my daughter.- My honourable lord, I will most humbly take
my leave of you.

Littlefoot. You cannot, sir, take from me anything that I will more
willingly part with- except my life, except my life, except my
life,

[Enter Ducky and Petrie.]
 
Old One. Fare you well, my lord.

Littlefoot. These tedious old fools!

Old One. You've come to seek the Lord Littlefoot. There he is.

Ducky. [to Old One] God save you, sir!

[Exit [Old One].]

Petrie. Littlefoot, friend!

Ducky. Our most dear friend!

Littlefoot. My excellent good friends! How goes thou, Petrie? Ah,
Ducky! Good mates, how are ye both?

Ducky. As we have always been, children of the earth.

Petrie. Happy in that we are not overly happy.
On the scale of happiness we are not too high up.

Littlefoot. Nor too far down?

Ducky. Nor too far down. True that, my lord.

Littlefoot. Then you live about the middle?

Petrie. Where there is the greatest chance to go up or down, aye.

Littlefoot. The stormy parts of the scale? O! most true! Now, what news have you? Why have you come?

Ducky. None, my lord, just a simple visit.

Littlefoot. I love simple visits! But your words are not true. Let me
clarify. What have you, my good friends,
done to Lady Fate that she sends you to prison
as well?

Petrie. Prison, my lord?

Littlefoot. The Great Valley's a prison.

Ducky.. Then is the world a prison?

Littlefoot. Aye, a prison; in which there are many jails, The Great Valley being one o' th' worst.

Ducky. We do not think so, my lord.

Littlefoot. Why, then it is not a prison to you; for there is nothing either good or bad physically; ëtis thinking it is a prison that makes it so. To me it is a prison. But again, we stray off-topic. I ask again, what makes you come here?
   
Ducky. To visit you, my lord; no other occasion.

Littlefoot. Were you not sent here?
Is it your own free will? I know your motives do
not match with your smiles! Come, come! Speak.

Petrie. What should we say, my lord?

Littlefoot. Why, anything- so long as it’s about your purpose. You were sent for; and there is a kind of confession in your looks, which you have not the skill enough to hide. I know the good King and Queen
have sent for you.

Ducky. Why would they send us, my lord?

Littlefoot. I await for you to tell me. But let me ask you once more;
by the years of our friendship, by the promises of our youth, by the
obligation of our ever-preserved love, and by anything we have shared in all our long lives, be even and direct with me: were you were sent for or no?

Ducky. [aside to Petrie] What should we say?

Littlefoot. [aside] Nay then, I have to keep an eye on you.- If you love me, lie not to me.

Petrie My lord, we were indeed sent for.

Littlefoot. Thank you. Now, to repay your honesty,
I will tell you why you have come. This way my anticipation can prevent your having to reveal thy true colours, and your secrecy to the King and Queen remains safe. I have of late lost all my happiness, forgone all custom of exercise; and indeed, it goes so heavily with my disposition that the entire earth,
seems no more to me than a foul and pestilent collection of vapours. What a
piece of work is a man! how noble in reason! how infinite in
possibilities! in form and moving how expressive! in
action how like a god! The beauty of the world, the greatest of animals!
And yet to me, what is this worthless body of dust? Man delights not me- nor woman neither, though by your smiling you seem to think so.

Ducky. My lord, there was no such stuff in my thoughts.

Littlefoot. Then why did you laugh when I said 'Man delights not me'?

Ducky. I was thinking, my lord, if you delight not in man, what little
entertainment the acting troupe shall receive from you. We spotted them
on the way, and convinced them to come offer you service.

Enter the Tinysauruses.

Petrie. There is the acting troupe.

Littlefoot. [To Tinysauruses] G entlemen, you are welcome to the Great Valley. Come, Ducky, Petrie, clap your hands! Come! ëTis in fashion to give the appearance of welcome. Let me comply
with this fashion, lest the players should give better performances than yourselves. You are welcome.

Big Daddy. Thank you, my good lord.

Littlefoot. Good my friends, will you see the actors are fed and roomed? Do you hear? Let them be well taken care of; for they are the chroniclers of the time. After your death ëtwould be better to have a
bad gravestone epitaph than their ill report while you live.

Ducky and Petrie. My lord, we will use them according to your wishes.

Littlefoot. Much better! Treat them well before your own
honour and dignity. The less they deserve, the more merit is in
giving them more. Take them in.

Petrie. Come, sirs.

Littlefoot. Follow them, friends. We'll hear a play to-morrow.
[Exeunt Ducky, Petrie and Tinysaurs [except Big Daddy].]
Dost thou hear me, old friend? Can you play 'The Murder of
The Lone Dinosaur'?

Big Daddy. Ay, my lord.

Littlefoot. We'll have it to-morrow night. Also, could you, for a small sum, study a speech of some dozen or sixteen lines which I would compose and
insert in it, could you not?

Big Daddy. Ay, my lord.

Littlefoot. Very well. Follow those men - and look you mock them not.
[Exit Big Daddy.]
Now I am alone.
O what a rogue and worthless wretch am I!
Is it not monstrous that this player here,
Had he the necessity or for want of coin,
Could force his soul to do his bidding so well
That, tears in his eyes, voice broken,
and countenance a wreck, could weep
For his character’s love? And all for nothing!
For a nonexistent lover!
What's that lover to him, or he to her,
That he should weep for her? What would he do,
Had he the motive and the cue for anger
That I have? What if he had a shamed and murd’red
Father whom he must avenge?
He would drown the stage with tears
And deafen the general ear with horrid speech;
Make mad the guilty and appall the free,
Confound the ignorant, and amaze indeed
Every eye and ear in the kingdom.
Yet I,
A dull and indecisive ingrate,
Can say nothing! No, not for a king,
Upon whose honor and most dear life
The Mysterious Beyond was taken! Am I a coward?
'Zounds, I should just kill him! for it cannot be
That I am lily-liver'd and lack gall,
Or ere I could not have slaid Lord Sharptooth
As I so decisively did! O, vengeance!
Why, what an ass am I! This is most brave,
That I, the son of a dear father murder'd,
Ordered to my revenge by heaven and hell,
Just stand idle and fill the air with words
Not blood!
Fie upon it! fie! About face, my brain!
Hum, perhaps there is another way.
I have heard that guilty creatures, sitting at a play,
Have, upon seeing a scene that appears
To know and declare “You hath done this!”,
Been struck so to the soul that presently
They on the spot proclaim their evil deeds.
For murder, though it have no tongue, will speak
With the right prompting. I'll have these Players
Play something like the murder of my father
Before his royal threehorn. I’ll show the great lone dinosaur
Murder’d through the ear by sweetbubble sap.
I'll observe Threehorn’s looks; if he but blush,
I know what I must do. I'll have grounds
More proven than then have I now. Ay, the play's the thing
Wherein I'll catch the conscience of the King. [Exit.]



Mumbling

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Silly question.... You haven't updated this for one year, you still planning on doing so?

(I might have missed you talking about it in other topics, sorry)


DualXz

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True... the Hamlet, forgive me, but I didn't remenber this.
Hope you can update it!


aabicus (LettuceBacon&Tomato)

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I. . .didn't think anyone was reading it. I was just going to let it die. Yeah, I can still work on it, thanks for reminding me!

Updates might be sporadic at best, infrequent at worst, since I'm in school now, but they will come occasionally. Thanks for the reminder!


Almaron

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Magnificent! I haven't read something as well written as this in a while!


Mumbling

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Quote from: LettuceBacon&Tomato,Sep 26 2009 on  10:46 PM
I. . .didn't think anyone was reading it. I was just going to let it die. Yeah, I can still work on it, thanks for reminding me!

Updates might be sporadic at best, infrequent at worst, since I'm in school now, but they will come occasionally. Thanks for the reminder!
That's okay. I enjoy reading it :)


aabicus (LettuceBacon&Tomato)

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For those who are curious, still posting updates into the freakishly long Act 2 Scene 2. One more monologue to go, and then it's on to Act 3. If you want to see the new material, just scroll up and read my Act 2 Scene 2 post.

Also, thanks for the compliment Almaron! My main hope is that Land Before Time fans that find themselves having to read Hamlet in school might come here to read a simplified version complete with characters they can identify with. Of course, people who find it interesting regardless are welcome too :)


aabicus (LettuceBacon&Tomato)

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Wooh...finished Act Two Scene Two. That took forever. I can finally move on to fresh material! Onward, Act Three!


aabicus (LettuceBacon&Tomato)

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Act 3, Scene 1

[Enter King, Queen, Old One, Ali, Ducky, Petrie,
and Lords. ]


Mr. Threehorn. And can you by no act of questioning
Get from him why he puts on this play of madness,
Causing such consternation for all the court
With his dangerous lunacy?

Ducky. He does confess he feels himself distracted,
But from what cause he will by no means speak.

Petrie. Nor do we find him willing to be questioned,
But with a crafty madness he would turn distant
Whenever we would approach the topic
Of his true state of mind.

Grandma. Did he receive you well?

Ducky. Most like a gentleman.

Petrie.  But with much unwillingness to divulge anything.

Ducky. Though he’d give answers to our queries, they’d be nonspecific and uncommitted.

Grandma. Did you assay him
To any pastime?

Ducky. Madam, it just so happened that some actors
We encountered on the way. Of them we told Hamlet,
And there did seem in him a kind of joy
To hear of it. They are here in the court,
And, as I think, they have already been ordered
This night to play before us.

Old One. ëTis true;
And he beseech'd me to entreat your Majesties
To see the play yourselves.

Mr. Threehorn. With all my heart, and it doth much content me
To hear him so interested in something
Good citizens, give him your support
And keep his purpose on to these delights.

Ducky. We shall, my lord.

[Exeunt Ducky and Petrie.]

Mr. Threehorn. Sweet Grandma, leave us too;
For we have closely sent for Littlefoot,
So that he, as if by accident, may here
Affront Ali. The Old One and myself
Will hide ourselves that, unseen,
We may view their encounter and frankly judge
If Littlefoot’s affliction be love, or no,
If it truly be madness.

Grandma. I shall obey you and leave;
And for your part, Ali, I do wish
That your beauty be the happy cause
Of Littlefoot's wildness. So shall I hope your virtues
Will bring him to his normal way again,
To both your honours.

Ali. Madam, I wish it may.

[Exit Queen.]

Old One. I hear him coming. Let's withdraw, my lord.

[Threehorn and Old One hide].

[Enter Littlefoot.]

Littlefoot. To be, or not to be- that is the question:
Whether 'tis nobler to suffer
The pains of such pitiful luck
Or to fight against such tidings,
And by opposing them, end them. To die- to sleep-
No more; and by eternal sleep to say we end
The heartache, and the many pangs and shocks
That being alive is heir to. To die- to sleep.
To sleep- escape even from dreams: ay, there's the rub!
For in that sleep of death what dreams may come
When we have shuffled off this mortal coil?
The thought must give us pause. There's the respect
That tarnishes the joy of long life.
For who would bear the whips and scorns of time?
The wrong’s of an oppressor, the shaming of the proud man,
The pangs of lost love, the failing of the law,
The tedium of work, and the spurns
That hurt us all? What cause us to bear all this,
To grunt and sweat under a weary life,
But that the dread of something after death-
The undiscover'd country, from where
No traveler returns- puzzles the will,
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all,
And thus the natural resolution
Is sickened o'er with the pale cast of thought,
And enterprises of great turn awry
And lose the name of action.- Soft you now!
The fair Ali!- Whore, when I see thy face
I am reminded of all the sins in the world.

Ali. Good day my lord,
How does your honour do for this many a day?

Littlefoot. I does nobody of honor, nor for any amount of days.

Ali. My lord, I remember many of our days
That I have longed long to re-live.
I pray you, now relive them with me.

Littlefoot. No, not I!
I never gave you naught.

Ali. My honour'd lord, you know right well you did,
And with words of so sweet breath composed
It made the things more rich. Their perfume has faded,
Speak them again; for to the female mind
Rich gifts become poor when givers prove unkind.
There, my lord.

Littlefoot.Ha, ha! Are you honest?

Ali. My lord?

Littlefoot. Are you fair?

Ali. What does your lordship mean?

Littlefoot. That if you be honest and fair, your honesty should not take second place to your beauty.

Ali. Could beauty, my lord, have better commerce than with honesty?

Littlefoot. Ay, truly; for the power of beauty will sooner transform
honesty from what it is to a boor than the force of honesty can
translate beauty into his likeness. This was sometime a paradox,
but now the time gives it proof. I did love you once.

Ali. Indeed, my lord, you made me believe so.

Littlefoot. You should not have believ'd me. I loved you
not.

Ali. I was the more deceived.

Littlefoot. Go rehears thy Say-sos! Why wouldst thou be the breeder of
sinners? I am myself honest, but yet I could accuse
me of such things that it were better my mother had not borne me.
I am very proud, revengeful, ambitious; with more offences than I have thoughts to put them in. What should such fellows as I
do, crawling between earth and heaven? Go thy ways to thy Say-sos. Where's your father?

Ali. At home, my lord.

Littlefoot. Let the doors be shut upon him, that he may play the fool
nowhere but in his own house. Farewell.

Ali. O god, help Littlefoot, sweet heavens!

Littlefoot. If thou dost marry, I'll give thee this plague for thy dowry:
be thou as chaste as ice, as pure as snow, thou shalt not escape
scandal. Get thee to thy Say-sos. Go, farewell. Or if thou
needs marry, marry a fool; for wise men know well enough what
monsters you make of them. To thy Say-sos, go; and quickly too.
Farewell.

Ali. O heavenly powers, restore him!

Littlefoot. I have heard of your sand-sketching too, well enough. God hath
given you one face, and you make yourselves another. It hath made
me mad. I say, we will have no more marriages. Those that are
married already- all but one- shall live; the rest shall keep as
they are. To a nunnery, go. [Exit.]

Ali. O, what a noble mind is here overthrown!
And I, of ladies most deject and wretched,
That sustained so recently on his music vows,
Now see that noble and most supreme reason,
Like sweet bells that clink, out of tune and harsh;
That unmatch'd form and feature of carefree youth
Blasted by reality. O, woe is me
To have seen what I have seen, see what I see!
Enter King and Old One.

Mr. Threehorn. Love? His actions do not that way tend;
Nor what he spoke, though it lacked clarity a little,
Was not like madness. There's something in his soul
O'er which he is brooding;
And I do doubt that which he broods on
Will be in some danger; therefore
I have in quick determination to prevent that.
Thus it shall be: he shall go with speed to the Mysterious Island
For a reason we must think up.
Hopefully the seas, and lands different,
With variable environments, shall expel
This something-settled matter in his heart,
Which is putting him thus from fashion
Of himself. What think you on it?

Old One. It shall do well. But yet do I believe
The origin and instigation of his grief
Sprung from neglected love.- How now, Ali?
You need not tell us what Lord Littlefoot said.
We heard it all.- My lord, do as you please;
But if you deem it fit, after the play
Let his queen grandmother all alone comfort him
And let him show his grief. Let her be close with him;
And I'll be placed, so please you, within earshot
Of their conference. If she find the true Littlefoot not,
To the Mysterious Island send him; or confine him where
Your wisdom best shall think.

Mr. Threehorn. It shall be so.
Madness in great ones must not go unwatched. [Exeunt.]