I know we all love the orchestral "If we hold on together" theme of the original---I sure do! But there's also this themes of the sequels. I'll go through them, just to orgnize it out and rank which ones are the best.
The most famous I call the "Great Valley Theme". It's a beautiful, memorable tune that starts with three notes, then the same 3 notes, followed by six notes, the last three played slower. You first hear this beautiful theme a lot.
Here are
some of the times:
1. At the end of 5 upon the return to the great valley. As a kid my heart would just melt upon seeing this. LBT wasn't like other kids shows, which was what made it so special.
2. You also hear it over the credits with choir. It's moves me more then I can possibly explain. I can't find this song (called "The Valley", actually, on itunes and it's driving me insane! I want it!!)
3. You hear it at the beginning of 5, when we first see the valley.
4. You also hear it in the end credits of 4.
5. Ad when they go home in 6.
6. And, when they leave the island in 5. Sorry, I missed that one.
7. Also, when Littlefoot asks Tickles if he's seen Cera.
Unfortunately the original verison was not played past 6, which is ok, since by that time the "classic era" of LBT was over. Instead we got this:
1. A short take on the theme, which is very optimistic and positive incontrast to the enveloping, pure beauty of the original, plays at the end of 7. Instead of starting with three notes it just shortens it to 1, and then has the three notes, and the final notes are modified.
2. It's also heard at the end of 7's credits
3. at the end of 8,
4. at the end of
8's credits,
5. and finally, at the end of 9.
Though it's not the original, I like this version and think it does a good job of representing the classic LBT theme. And it works---7-9 were after the classic age had ended, but still good, modest LBT movies, espicially 9---it and 5 are of tied on which could be the end, and are pretty much tied on how I feel about them.
6. Even a similar one appears at the end of 10, sounding even more optimistic, but it's not the version previously mentioned, and it's in a different key; this is suiting, since 10 was after the age of the good, modest LBT films; it was the film the ushered in the final era of the series---the crappy era in which everything was being overdone. <_<
7. Additionally, the one from 7-9 appears at the end of film 12...
but it's...
cheesily shortened, so instead of giving that good, positive impression the 7-9 version did...it just leaves a cheesy one. Lame.
Anyways, this theme was
the theme of the sequels, like IWHOT was the theme of movie 1. IWHOT still is played a lot, though.
The "Sharptooth chase" theme. Happened a few times. It's a jaws-like suspense that played...
1. during the swimming sharptooth chase in 5 (I sure love that scene!)
2. when Littlefoot and Chomper think Elsie is a swimming sharptooth,
3. when Cera accidentally breaks the tooth of saurus rock,
4. when the allosaurus is coming across the log,
5. and finally, from what I recall, when the stone explodes in 7. I don't remember it playing beyond that, though.
A rather awkward, clumsy theme that I first remember playing when Chomper's parents appear in 5, and again when during the "you're safe with us" exchange at the end. So I'll call it the "Chomper's parents" theme. I know it played in at least 1 other film, but I can't recall which...
"Bestest friends" became the sort of instrumental theme to 10, possibly due to 9 being the last film James Horner's old score was ever included in.
"No one has to be alone" became an instrumental theme for 9, actually. It was played twice---first, during Littlefoot's talk with his grandparents, and finally, at the end of the movie. It's one of the most beautiful pieces of music in the LBT franchise, and it's also driving me insane that it's not on itunes. <_<
Anyways, I can't really think of any others. There are breif snippets of music,, and a few unmemorable themes, but this is mostly it. There are a few more I might put on here. I just hope it doesn't get taken off like my last music analysis (which I spent a ridicously hard time researching)